The lovely Diva, Laura Harms has given us our monthly UMT (use my tangle) this week. She has chosen CZT Carole Ohl’s lovely starlike pattern called afterglow! Here’s the step-out at Carole Ohl’s website.
I’ve never use afterglow before. I tend to enjoy the more organic flowing types. Of course, that is quite short-sighted of me before I even try it! As I progressed I started varying line color and width. I used micron pigma 01 in brown, and sepia, as well as a graphic 1 also in sepia.i then applied several of Eni Oken’s techniques for tiny details, and tan treasure tiles. It didn’t become special though until I shaded the star. I love how it turned out. 😀
This week’s Diva Challenge was brought to us by guest bloggers, CZTs Juliette Flessinger and Kellie Fellinge, from the podcast, Tanglepod. Listen to their diva Challenge here. This week we were challenged to find and use our “cozy” tangles. Tangles we feel relaxed and comfortable with. I chose flux (Rick’s version) and went with a tile i had distressed earlier and then shaded using Crayola Super Tips. The Crayola Super Tips are water-soluble and perfect for shading with watercolor, Derwent Inktense or distressed inks. Right now, they sell on Amazon.com for $14.00 USD for 100 colors. A great deal for most wet media projects. All of the guest bloggers this summer have been excellent.
Welcome back to thetirelesstangler.com! This week I’m bringing another incredibly talented artist, Carlos Cano, from Spain! I’ve had plans to feature Carlos for weeks and I’m so glad I can now showcase his amazing art! Carlos’ story is a fascinating tale of artistic progression. Personally, I am a big fan of the first picture below! Let’s get to know Carlos Cano!
“Hi, I’m Carlos Cano, and live in Madrid, Spain. Since I was young I liked art in general, and drawing in particular. My initial attempts were drawings with ballpoint pen, first only in black and white, and little by little I introduced some color. I have to say that I have always been a simple amateur, I have never received any kind of art (except zentangle, I will get to that). My drawings were always abstract, in somewhat twisted ways, so much so that some friend always said that what I drew was “guts.” Sometimes I relied on something from my surroundings, but I always experimented with it: I was looking for shapes to attract me. One of the things I always tried to achieve was color gradients, which took me for hours with the ballpoint pen. I also started to test gradients with stippling, but with this technique I did less drawings I have always enjoyed experimenting with shapes and techniques, and always tried to go to all the art exhibitions that I have been able to. After each exhibition, when I got home, I came back loaded with inspiration, and I turned in blocks of drawing trying to do something similar to what I had seen (which I never got, but that really amused me).
Let me show you some of my old drawings, with ball point pens, and one stippled:
In 1988 I left up drawing and began to try many other unfinished activities (including learning Japanese, or play rock guitar)
Three years ago, I took again a pen thinking on try some idea. In this case I used fountain pens, also drawing with dots. I did four drawings. The next is the one I prefer:
But it’s not good idea stippling with fountain pens: the ink always dries, and it changes color. And the nibs, well, they oxidize and also change the ink color.
Then, I discovered zentangle, and before I learned the technique, I made the next attempt, also with stippling and fountain pens:
Since 2005 I have been attending Zentangle classes with María Pérez-Tovar, and I have always tried to experiment with the different tangles, modifying them and trying different ways to use them.For example, these are some personal versions of three tangles.Tri-Bee, Inapod, Niuroda:
I’ve used also some sense of humor in my drawings (the first is a version of the tangle Drawings, the second was for Halloween) :
Sometimes I’ve mixed different media in a drawing, as in this hand I’ve used micron, alcohol markers, color pencils and stippling:
Recently I have recovered the desire to experiment with other techniques, and I have redrawn with colored ballpoint pens. This has been my first attempt for more than 30 years.
In this drawing I’ve used Copic markers as color background, and ballpoint pens:
One technique I discovered recently is that of shaving cream. With it you get backgrounds of random colors very interesting. I use it with liquid watercolor, although you can also use food coloring, even acrylic paint. My way of drawing on these backgrounds is not very orthodox: I try to draw shapes following the colors of the background and then modifying and adding figures as they occur to me. I must say that my way of drawing is formed by 90% of improvisation, and some previous idea that I quickly modify as I discover possibilities in what is coming out.
The following sequence shows more or less of what I’m talking about:
The next example correspond to a version of StaubKorn’s Pico:
With patience and imagination, you can transform any background in what you want. For example, I transformed a partial blue tile in a “tree of life”:
I’m still in awe of Carlos’ techniques both old and new! I’m going to try the shaving cream trick for sure! I’m so excited and blessed to have the opportunity to get to know these artists from across the world! You are a fascinating bunch and I cant wait to show you who is next!
Last week I spoke about Peta Hewitt’s coloring competition. This week I want to show you my finished entries although I’m not as pleased as I had hoped with the way they turned out. I know this is not surprising because most artists feel this way about their work before they’re finished. If you are interested in checking out Peta’s competition or her website or blog you can find her here Peta Hewitt’s website (la-artistino.com)
Peta used three different pictures that she drew based upon an Australian theme and there are prizes for each picture.
The first is a pair of sugar gliders in a garden:
The second is a platypus napping in a stream.
The third is the Australian National flower: the waratah flower. It was a real job getting the flower petals on bottom a rich dark red and still leave the main flower with a bit of pinky maroon. (Yes, pinky is a word.)
Winners will be announced on July 4, 2016 (Peta’s birthday!) It would be nice to win but I learned about Australian flora and fauna and no finished product is useless. I only wish all my Sakura stardust pens would show up in a picture. The platypus pic is covered in glitter!
I’m excited today because my package from Amazon arrived! (Who doesn’t like getting stuff in the mail?!) One of my gifts (to myself) was this set of Mungyo Pastels. This is the 64 color set. Pretty huh?
So I’m playing with pastels today and working on my coloring entries for Peta Hewitt’s coloring contest. Peta is an amazing artist and colorist from Australia and I regularly stalk her wonderful YouTube channel la-artistino.com. Peta Hewitt la-artistino.com Her coloring contest is Australian based and includes 3 special pictures drawn by Peta around the flowers and animals of Australia theme. If you want to give it a try, visit Peta’s website at the link above for more information.
This is my test page for Peta’s sugar glider picture. I’m testing several ways of blending the pastels as well as looking at how it layers over colored pencils and how dark I can take the background without going black. The yellow steaks on the above picture are prismacolor soft core canary yellow. I started with light color combos then moved darker still blending. I’ve been using a paper towel over finger tips to blend. You can see at the right top the yellow pencil under pastel pink is a nice blend. The dark blue over it shows a blend, just not one I’ll use much!
Here I’m trying to see how dark I can go without going black. I plan to use this technique in my coloring books and it will be important to keep the pages sprayed with a workable fixative such as Krylon. I’ll also keep blank sheets of paper between the pages I’ve worked on to prevent smudging.
Here in the bottom right is about as dark as it will go. I also switched from a paper towel for smudging to a q-tip. It’s much smoother and softer looking. I also stopped putting pastel on the paper and started loading the q-tip by swiping it along the top of the pastel. These are so soft you don’t need to scrape it off which will save on wasted pastels! Also I wanted to mention, if you get it someplace you don’t want it (an almost certainty with pastels, you can easily erase any mistakes. And lastly, when using with colored pencils, whatever kind, remember the wax in the pencils puts down a protective layer so if you get pastel over pencil it wipes right off. It makes pastels ideal for coloring books where you’ve use colored pencils for the design and want a soft background. I’m not sure yet whether if you want it to stay over the pencil if the fixative spray will keep it there. Ah! An experiment for another day!
I love these Mungyo Pastels and this 64 color set was under $10 USD on Amazon.com.
I will post my finished entries as soon as they are finished. They may look like grade school art projects but I’ll have fun doing them!