Artist Focus: Philippa Napper

Welcome back to thetirelesstangler.com and also pattern-collections.com. I have another terrific Artist Focus post for you. Many months ago, I did my first artist focus on a friend from the UK, Sarah Fowler. This week’s artist in focus is Philippa Napper, who is my 2nd artist from England. Philippa is an artist for whom art seems instinctual. (This is my impression) She seems to know which direction to go while I’m floundering for understanding. It is true that she has some education in the arts, but she seems to follow her heart and the results are absolutely amazing! Here’s what Philippa shared about herself, her family and her art!

“I am 42 years old and live in Birmingham, England. I went to University in Liverpool to train to be a PE teacher, but I also had Art & Design as my second subject, although I didn’t actually teach it until my 14th year of teaching! I teach in an inner-city Church of England School in Walsall – just north of Birmingham, which is predominantly Muslim. This might sound odd, but the families really respect the Christian values, which are essentially the same for any faith, and so they send their children to us. It gives us all – pupils and staff – a really good lesson in respect, tolerance and understanding of the differences which make us who we are. We accommodate children from all around the world who, at the last count, speak 67 different languages! I absolutely love the kids at our school.

During school holidays my husband and I head off to a place called Snowdonia in Wales and we walk in the mountains with our dogs or spend time on the beach. On rest days we sit outside in the sun – reading, listening to music and tangling. This is when I am at my happiest..

I first heard the term Zentangle when I visited the art department of another school. One of the teachers was telling me how the children were making 3D sculptures of beetles, covering them with plastic and then decorating them with Zentangle designs. This was in 2014 when adult colouring books were becoming HUGE in the UK, so I was enjoying switching off by doing this, but found myself thinking that I wanted to draw the designs as well as colour them in. I never got round to Googling Zentangle though…

In the Spring of 2015 I discovered a Zentangle ‘bookazine’ by CZT Anya Lothrop. It was really influential because it had step-outs and examples so I now had some context.

It was this that started the Zentangle journey for me. In the beginning I drew in an A6 sketchbook that I took everywhere with me. Often while the kids were getting changed for PE I’d be hunched over this sketchbook grabbing 5min here and there. Staff meetings were great because I’d sit near the back and just tangle away. I’m sure I’m not the only one amongst us that will testify how tangling actually helps you listen and retain information too. I’d look to something I’d drawn and could remember exactly who was talking and what they were saying at that point. Shame it’s hard to convince people of this!!

This (Above) was my first ever proper composition. I hadn’t heard of strings at this point so I just drew instinctively. The second one is supposed to be my take on Umble. I did most of it during parents evening waiting for my appointments to turn up!!

Not long afterwards I found out that our inspiring headteacher was leaving the school. He was such a big part of my professional life I wanted to use my brand new Warm Grey Copics to create a piece for him incorporating the work ‘Magnificent’ which he always used to say to us in staff briefings. Despite this being my first big piece it’s still one of my favorites. Sadly I forgot to take a photo when it was complete so in this picture the orbs are white. Luckily you can’t really tell its incomplete!

After this I kept on tangling at every opportunity – Friday evenings became my ‘art night’ when I would shut myself away upstairs, put on an audiobook and draw for hours!

The next big ‘breakthrough’ was in the summer of 2016 when I started drawing lots of Marie Penzing’s tangle ‘Zing Zing’. I produced a tile using my new Polychromos and I just thought ‘this one is a bit special’. Thankfully I managed to churn out another two to make a Zing Zing triptych! This was also the first time I started doing Sandswirl in the way that I now call ‘Sandswirl 3D’ because it uses echo lines like Eni Oken’s ‘Mooka 3D’.

Since summer 2016, the last 12 months have been largely about colour, and distressed tiles in particular. I’m not a massive fan of graphite – I’d rather use grey Copics for shading, or go full on colour; either watercolour, pencil crayons, or coloured Copics.

This is Zing Zing, and the ribbon is To-To (my only tangle to date!) Done with Copic Original Markers on A4 special Copic suitable paper.

Couple of Tangle It! Facebook group #Go-To tiles from Summer 2017.

 
 
 
 
 
 
 
 

This is my absolute favorite colour piece: Drawn on A5 watercolour paper with Inktense Blocks that I just swirled around on their side to create some blocks of colours, and then just got the water brush and mixed them all together. Then used different coloured microns and polychromos.

It’s framed in my study!


And finally, my two most recent, and arguably best, tiles.

I have to say I am so thankful to have come across Eni Oken on Facebook. I have stated elsewhere that I believe the art we produce in the ‘Shading and Exploring Zentangle’ group has really taken Zentangle to another dimension, with regard to the 3-dimensional pieces that are being created. I absolutely adore it – it’s exactly the kind of art I love to produce. With the addition of Art Club Eni has helped me to add those tiny details that make all the difference – weighted lines, darker lines for outside edges, dramatic shading. It’s like the marginal gains maxim in sport. “His belief was that if you improved every area related to cycling by just 1 percent, then those small gains would add up to remarkable improvement.” ( https://jamesclear.com/marginal-gains) – talking about British Cycling coach Sir Dave Brailsford)

Zentangle has become a huge part of my life and I wouldn’t have it any other way. As for the future, I would really like to attend the CZT training one year. I would like to go into Old People’s homes and teach Zentangle as a means of keeping their minds active and maybe with the patients with dementia, art may be as effective as music is for unlocking them, just for that moment. I don’t know but I feel it’s got to be beneficial. That would have to be voluntary as there would be no money in it, so for now it’ a future plan.

Just got to get a passport and start that ball rolling…….”

I think Philippa AND her art are extraordinary! The fact that she added the pictures of her kids (dogs) and said they were rescues, told me she is a kindred spirit. She is currently rehabbing her foot which means we get to enjoy her online a lot right now, so I am enjoying the interaction while we have her before she returns to work. Working with such a diverse group of children must be extremely rewarding! I feel quite blessed to have another friend from “across the pond”!

Enjoy Philippa Napper’s art and don’t forget to check out her new pattern “To-To” in my Tangle Step Outs in the above menu or here at Pattern-collections.com.

Artist Focus: Liz Brott

Happy Halloween! I’m so glad to finally bring you a new artist focus and this week I have something really special to share. You will have to read on to see what I mean! These artist focus articles have become my favorite part of blogging. To discover such richness of art and especially a bit of the person, is a true gift and blessing. Each time I learn something new and interesting about someone, it’s a new insight into what brings art and artist into singular focus. Merging the amazing art and incredible stories is a wonderful experience and I’m so grateful for the opportunity to share with each of you!

This week is no different, as our artist in focus is an incredibly talented woman! This is Liz Brott, mom, professional architect, wonderful artist and incredible person! I met Liz in Eni Oken’s Art Club where we share a love of Eni’s art and teaching methods. Our current lesson is on fractalized tangles and I can imagine it is just perfect for Liz. If you are looking for an art exploration to enhance your drawing, you can join Art Club here!

 

  

“I am an architect, musician (flute and piano), and single mother of a wonderfully challenging 14 year old daughter.
 
 
 
 
 
I’ve been drawing all my life and have a passionate interest in art and science. Architecture became a natural path to follow as it falls at the intersection of the two. I specialize in healthcare architecture, designing hospitals and medical office buildings with the goal of creating healing environments for patients and healthy buildings for the families and staff who take care of them. I’ve traveled all over the world and always bring my sketch book. Little did I know that my favorite sketch pens, Microns, would become my go to pens for tangling!
 
 
 
 
 
 One of my friends and hairdresser, Romi Marks, is an artist and CZT, and introduced me to Zentangle over the past year. You can find out more about her at tangledyogi.com. The timing was perfect as I had been dealing with a lot of stress in my personal life in addition to chronic pain and needed a creative distraction. I started slowly by buying the Yoga for the Brain card deck. That’s it, I didn’t know anything more about Zentangle. I flipped through the card deck over the weekend, but didn’t know how to use it, what pens to use or even the term “tile”! It wasn’t until I took my first class from Romi, a Zendala class, that I learned there was a method behind the patterns. My Instagram name, TangledRebel refers to the fact that when I started posting some of my tiles to the Facebook tangling sites, I received messages that I wasn’t following the rules. I didn’t know there were rules! I must admit to being confused and frustrated at first because I didn’t understand why there would be rules around art. However, I’ve since learned the guidelines for each site and respect each facilitator’s desire to define the types of tangling they wish to feature.
 
 
 
 
 
 
 
 
 
 
As an architect, I am most comfortable with the basics of ink and graphite. Romi introduced me to COLOR. I put that in bold, because Romi really pushed me into the deep end of the pool kicking and screaming, initially. And, with her encouragement and support as well as a reminder that there are no mistakes, only opportunities. Moreover, I think the best thing she ever told me was to “be curious” and that was all it took to launch me into the world of color. I now own probably 10 different brands and types of colored pencils from chalk pastels to watercolors. I’ve taken classes in all types of tangling including black and tan tiles. Romi also teaches “found poetry” by tangling in books. This made me curious about tangling over mathematical equations and formulae. I basically explore putting patterns on everything, e.g. my bull kelp obsession. I also have fun by pushing the boundaries of tangling by seeing how I can still follow the rules, but create a piece that is really on the fringe, e.g. my creepy “FLUX” or rotating Aquafleur.
 
 
 
 
 
 
 
 
 
 
 
 
When exploring all the Square One sites on Facebook, I discovered Eni Oken’s and really was intrigued by her work and her way of taking the two-dimensional patterns and making them into seemingly three dimensional art. Since Eni was also trained as an architect, I really appreciate her approach to Zentangle, her rigorous explorations and complex compositions.
 
 
 
 

Now, back to the card deck. Since I now bring a little tangling kit with me wherever I go, I usually use the Tangle Patterns app on my phone. However, when my daughter needed an MRI (3 hours long!) I wanted to draw in the magnet room. Since I couldn’t bring my phone inside the magnetic field, my card deck came in handy as they are non-ferrous. 😉











I try to draw every night. Inktober added the additional challenge of doing a tile every day. You can see my Inktober work on Instagram at Tangledrebel.”


I’m a huge fan of Liz’s now. She won me over when she chose one of my favorite classical pieces to match her ad. Rachmaninoff, Prelude Opus 3, no. 2, in c# minor.  Check it out on my Facebook page and Instagram.  

Next week, I have another focus you will all appreciate! But you’ll have to check back and see who’s next! Thank you Liz for opening your life and art up and sharing it with the world!

 
 
 
 
 
 
 
 
 
 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Journey into Art

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When I began this post, I had a completely different direction in mind, but the more I wrote, the more it morphed into what it is.  I want to share with you something encouraging to me. In the Facebook groups centering around the Zentangle® Art form, there is always a pivotal moment when new artists finally start to post their art publicly that requires a courageous first step to overcome the fear of artistic rejection. Art is intensely personal and this type of rejection can hurt the soul. This is a much discussed topic and comes up over and over in these groups. I’ve been in Eni Oken’s Art Club about 5 months. I’ve been posting about Art Club here on thetirelesstangler.com for awhile and this weekend, when I posted my latest lesson art on Facebook in the Art Club dedicated group, it occurred to me to compare my first published tiles and the ones A.E. (After Eni) 😁 The next few images are my art from a year ago right after I started blogging. This was about 3 months after I began drawing in hopes of doing something productive to break depression. 

  

 

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I was a beginner. It’s not awful, but as if I were in middle school! Though the kids could probably outdraw me! Move forward about 7 months March – May, 2017 still just before I added Art Club. At this time, I purchased the Zentangle ® Primer, volume 1. Everything changed for me with that book. I finally understood the point of Zentangle isn’t the art but the meditative state you reach with pattern practice of each unhurried stroke. Beautiful art is simply a wonderful by-product  I started this blog a year ago after being fundamentally changed by The Zentangle ® Method, created and nurtured by Rick Roberts and Maria Thomas. Find the answers you are seeking at Zentangle.com! (I sound like I drank the kool-aid…and perhaps I have!) My point is, I began posting my art in a public blog, not in our caring, safe online groups! This is why my tagline is “Creativity takes Courage” by Henri Matisse. It took so much courage for me to take that step and post my very crude beginning art. It will be a year and a half since I picked up my yellowed sketch book from 1976. Then I did what many of us did, used TanglePatterns.com and Pinterest.com and pattern-collections.com shamelessly for their wonderful free resources and practiced (and practiced and…), finally discovering the peace and mental and physical Zen in the drawing of these “tangles”.

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I LOVE Jody Genovese’s lovely Patience Tangle! Find the step-out in the menu above. I bought Eni’s ebook Shading Fearlessly just before doing the above. Big difference! 

 

 

 

 

 

I see great improvement! I’m pretty happy with my progress. Honestly, I should have done this comparison long ago because I’m really encouraged! Here are some of my better tries since joining Art Club and here’s where I am learning be brave and say “I’m an artist!” The picture captions tell which of Eni’s lessons I was working on while drawing each piece of art (I can’t believe I just called them art!).

Shading Tiny Details/crazy detail aqua fleur

Let me just say Eni Oken has no idea I’m doing this post, I am simply passionate about Art Club and it’s my blog! I’m allowed to gush if I want! I think her lessons have greatly changed my artistic understanding and growth!

Tangled Letters

 

 

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Tangled Words and Shading Fearlessly (this was Adele’s best of show at It’s a String Thing the week her blog hit 1 million views! I was beyond honored! When I look at this though, I am worrying about how the word is scrunched and doesn’t have enough contrast to be clearly read. Self doubt is a sickness! 😗)

 

Tangled Words, Dream Big (this is my favorite made for my son)

My message to myself and to all who read this is not to worry about being perfect, best or comparing your work! Trust the process! Stop worrying about perfection and the level of others’s art. This is impossible but we are works in progress as well! Adele Bruno says she’s a reformed perfectionist and I love that description! I’m attending perfectionists’ anonymous right now in an attempt to get help! Thanks Adele! I frequently get meaningful bits of personal growth from your blog Tickledtotangle.com! The Zentangle ® Primer volume 1 changed the game for me. It’s described as CZT training in a beautiful book! I agree completely (but my dream is still to be a CZT myself. Physical barriers and financial obligations may not allow that dream but this book is a great substitute!) Honestly, I wish I’d bought the primer first but when the pennies count we do what we must. There are hundreds of amazing books out there, but if I did it again the primer would be my first purchase (after the new sketchpad and Pigma Micron of course!). Look at what practice, a few basic supplies, and some zen can do in a year and a half!  I wonder how relaxed and satisfied I’ll be in another year? To quote little Bijou, “breathe, slow down, gratitude and appreciation!” Smart Snail! (Bijou’s fan-page is found at Zentangle.com!)

 

If anyone is interested in sharing your art progressions please email me  at Thetirelesstangler@gmail.com. I’d love to post them here. I’m proof you can be an artist, even when you don’t believe it yourself! Thank you for your visit and check back soon for the new Artist Focus!

Artist Focus: Tracy Lucero, CZT

This week’s artist focus features CZT, Tracy Lucero. She’s a bit of a mystery and  tends to stay in the background! But when she does post, WOW! It’s something spectacular! I had no idea she was a Certified Zentangle Teacher (CZT)! I first became aware of Tracy’s art in Eni Oken’s Art Club. Tracy’s art had a polish to it that you don’t usually see in beginners like myself. I began to watch for her posts. When she joined the Facebook group Tangle It! Pattern Club, I started planning this article! I love merging the art with the artist!

 

Here is what Tracy shared about her art, life and the Zentangle ® Method.

“Hi everyone!  I’m Tracy Lucero and I live in Overland Park Kansas, USA. I have a wonderful husband, 3 boys, a lovely daughter-in-law, 2 Great Danes and a cat.  I’ve been interested in art for as long as I can remember.  Drawing, painting, crocheting, mosaic, etc.  The list is long and I love trying new things.  Probably the one thing I’ve always done though, is doodling.  Drawing on pretty much anything I could get my hands on – even things I shouldn’t be drawing on.  🙂  

I don’t quite remember how, but I found a book online called, “One Zentangle A Day” by Beckah Krahula, CZT.  The introductory pages talked about the creators Rick and Maria, the history of Zentangle and most importantly, the  Zen that comes from tangling.  I was hooked.  I worked on the lessons each day until I finished the book.  It was so much fun and I loved the “structure” of learning each tangle and creating little pieces of art combining different tangles together.   I joined the Zentangle blog and when the Seminar dates were announced in 2016 to become a CZT,  I knew I had to go.  I have an extremely stressful job, so when I got done with Seminar, I couldn’t believe something in this world could be so uplifting and people could be so kind.  I hadn’t felt that happy and at peace in a long time I realized.  It was quite literally, one of the best experiences of my life.   The positive, creative energy from CZT Seminar #23 was so wonderful.  I’m pretty sure I drove my husband crazy when I got home and went on and on about it.     

One of my favorite things about Zentangle isn’t just the art, it’s the sense of community, love, friendship, and positive support from people I don’t even know.  It doesn’t matter if you’re from Kansas City, Canada, Switzerland or anywhere across the globe, everyone is just there to be encouraging and helpful.  I went to ZenAgain in Nov 2016 and it too, was such a great experience.  I joined Eni Oken’s Art Club this year and I find I really enjoy the structure of learning a specific lesson and working on that challenge until the next one comes out.  The positive feedback and “caring critiques” have really helped me to grow as an artist. Seeing all the stunning artwork posted is so much fun.  It’s not always easy to post my artwork online, but it’s getting easier and more fun as I become more confident in my ability.   I look forward to more learning, meeting new people and growing as an artist.”

Tracy is another member of this great, compassionate community, that continues to awe me with it’s creativity and warmth for others. If you would like to follow Tracy’s Facebook page, you can find her here! There are many, many stories like Tracy’s, and each one is full of encouragement and hope! Take a moment and visit Zentangle.com. Find out for yourself why this Method has changed so many lives!

Artist Focus: Ching Weng

我備感榮幸可以為這位禪繞畫認證教師同時也是藝術家的Ching Weng(白雪老師)寫一個專題。她來自台灣,我覺得在不同語言中要一起努力合作是很有趣也富挑戰性的。我們都是用Google翻譯來溝通,雖然常常翻譯不精準,我們還是試圖用這個方法一起合作完成這篇文章。
以下是這位亞裔藝術家Ching Weng(白雪)用她的語言-中文,翻譯給使用中文的人們閱讀的,包含他的家人、朋友與粉絲們。在中文文章的下方,是我用英文撰寫的文章給所有Ching Weng(白雪)在英語世界的粉絲與朋友們閱讀。(希望也有一點我的粉絲)
我當一位翻譯者已經許多年。當然,其中不包括中文 ! 對我來說能夠用這種方式跨越文化跟語言的隔閡真的十分有趣。
這裡有翻譯的按鈕可以給讀者直接點擊,但是基於我想要能妥當的傳達在這次合作中的文化多元性,我希望讓白雪老師親自用他的母語來撰寫翻譯中文版本。再者,儘管距離很遠,但是在心靈上和冥想作畫以及畫禪繞圖樣的方式也會是大家所能共享的一個經驗。也許這些文化與地區的不同就是所有禪繞畫愛好者最大的共通點。

I am incredibly honored to focus this week on Certified Zentangle Teacher, and artist Ching Weng (Snow).  She is in Taiwan and it has been especially fun and challenging working between languages! We are using Google Translate to communicate and while it isn’t perfect, we’ve still managed to come up with a post by working together. Below is Asian Artist Ching Weng(snow)’s translation in her language for her friends, family and fans! Following the Chinese post, is my English translation for her English speaking friends and fans (and hopefully a few of mine)! I’ve been a translator/interpreter for many years! Not in Chinese of course! This is so fun for me to cross language and cultural borders in this way! I have a translation button here for people to use but I felt to adequately convey the vast cultural diversity in this case, I wanted Ching Weng to have the chance to have this in her language first! More telling, perhaps, than the differences are the similarities between tanglers, despite the vast distances, in spirit as well as in the shared experience of meditative drawing and the Zentangle ® Method.

CZT, Ching Weng in Taiwan

白雪的禪繞寶石作品是我看到過最可愛的寶石設置!她精確的線條和細膩的優雅帶給了大家一場視覺盛宴!她是一個不可思議的藝術家,我愛她表達的言語和想法。這是藝術家和禪繞認證教師 Ching Weng(白雪)談到禪繞畫,藝術和她的生活!

These are some of the loveliest gem settings I’ve seen drawn! Her precise lines and delicate, graceful figures attract the eye to a visual feast! She is an incredible artist and I love how expressive are her words and thoughts. Here’s what artist Ching Weng (Snow) says about Zentangle, art, and her life!

我非常高興和榮幸能成為你藝術家專輯的焦點人物。

我一年前開始學習禪繞畫,禪繞畫改變了我的思想和生活,也使我更有自信,我在去年年底成為禪繞認證教師(CZT Asia#1),現在致力於禪繞畫延伸藝術(ZIA )的創作與教學,特別是畫禪繞寶石,這是我想專研的藝術領域,希望你們能喜歡我的作品。

“I am very happy and honored to be your artist focus.

I started learning Zentangle over a year ago. Zentangle painted my mind and life, and made me more confident. At the end of last year, I became a Certified Zentangle Teacher (CZT Asia #1). I am now committed to creating Zentangle Inspired Art (ZIA) and teaching. I especially like creating Zengems, which is the art field I want to study. I hope that you will like my work.

嗨!我是Ching Weng(白雪),住在台灣,是一位高中老師和禪繞認證教師(CZT),熱愛文學與藝術,從小就很喜歡塗鴉,但是從來沒有接受過美術的訓練,後來因為升學考試的壓力,讓我放下了畫筆,也停止了藝術創作,甚至遺忘了畫畫時的平靜與美好。

I am living in Taiwan, and I am a high school teacher and a Certified Zentangle Teacher (CZT). I love literature and art. In childhood I liked free hand drawing but never received formal art training. Because of the pressure of an entrance exam, I put down the pens and pencils, but also stopped creating art completely, even forgetting that art can be calming and beautiful.

直到2016年的5月,我任教的學校舉辦了一場Zentangle初階研習,當時的我對Zentangle 不了解也沒有興趣,但是因為我14歲的女兒想參加這個研習,我就陪她一起上課了,經過了四個小時,我對Zentangle深深著迷,愛上了畫畫時專注而放鬆的感覺。之後我每天都會抽空畫畫,我的女兒也不斷給予我鼓勵,還建議我設立FB的粉絲專頁,讓我透過分享作品而得到更多成就感和創作的動力。


In May 2016, I taught at a school that held a beginning Zentangle class. At that time, I did not understand Zentangle and was not interested, but because my 14-year-old daughter wanted to participate in this course, I accompanied her to the class. After four hours, I was deeply fascinated by Zentangle, and fell in love with drawing and focusing on the feeling of relaxation. After that, I took the time to draw every day. My daughter also continued to encourage me, but suggested that I set up a Facebook fan page that lets me share my work and gives me more of a sense of accomplishment and motivation.

 

      從此我的創作能量又被重新啟動,並源源不絕,因為創作和分享讓我變得更有自信,生活也更豐富充實。

Since then my creative energy has been restored, and is endless. Creating and sharing my art allows me to be more confident, as well as enriching my life.

Shih Misha是我在禪繞延伸藝術(ZIA)上的啟蒙老師,她的作品和為人都很有個人風格,她曾經跟我說:「如果你想成為一位傑出的禪繞藝術家,就要保有自己的風格和特色,不要盲從,也不要隨波逐流。」這番話對我影響很深,也讓我更清楚自己的路要怎麼去走。

https://m.facebook.com/groups/1645269925730856

And instgram: shihmisha

CZT, Shih Misha is the teacher who inspired me to start creating Zentangle Inspired Art. She focuses on ZIA (Zentangle Inspired Art) creation as well. Her art and demeanor have a bold personal style.  She told me, “If you want to be an outstanding artist, focus on your own style and characteristics, do not follow blindly like sheep, do not follow the crowd.” These words affected me deeply, let me know how to go my own way.

在我的創作歷程中,我最喜歡畫禪陀羅(Zendala)和禪繞寶石(Zengem)。我喜歡禪陀羅的均衡美,而寶石和禪繞圖樣結合之後,會顯得更有生命力,因此我的作品中,大部分都會出現寶石。許多人稱讚我的寶石畫得很逼真,其實這是不斷練習而成的,我至今已經畫了超過300顆寶石,只要你有熱情並且能堅持下去,一定能畫得跟我一樣好,甚至更好。 

In my art career, I like Zendalas and Zengems. I am obsessed with the balanced beauty of the zendala. After combining Zendalas and Zengems, the combination is even more beautiful. So in most of my work, gems will appear. Many people have praised my gems as being very vivid. In fact, this is from constantly practicing. I have already painted more than 300 gems! As long as you have the enthusiasm and can stick to it, you will be able to draw as well as me, and maybe even better! It is good.

不為自己設限,就能創造無限的可能,將心動化為行動,就能看到人生的另一片風景。


Without placing restrictions upon yourself, you have the potential to do anything. Actions speak louder than words, and if you put what’s in your mind into practice, you can know this world from a totally different perspective.





感謝Cyndee Pelley的賞識,讓我可以在這裡和大家分享我的故事,如果你們喜歡我的作品,歡迎到我的粉專和IG看看。 ”

Thanks to Cyndee Pelley’s appreciation so that I can share my story here with you. If you like my work, you’re welcome to visit my Facebook and Instagram to see.”

Facebook Fan Page: https://m.facebook.com/Snow.creationpack/

or my Instagram:  https://www.instagram.com/zendala.snow/

Author’s Note:

Author: Ching Weng (Snow)

Author : Cyndee Pelley (Thetirelesstangler.com)

Translator extraordinaire: Simon Hsieh

這個專題是從一篇小文章開始的。我原本完全沒料想到要完成這項任務是那麼的艱鉅且耗時,然而Google翻譯軟體於中文翻譯上的謬誤與文意不通使我們的合作更加困難。不過我有幸得到Ching Weng(白雪)的兒子的貼心相助,協助我們在語言的溝通上更為順暢,這意味著我們可以對文章加上一些細微的修改而讓文意更通順、也更貼近中文表達的美感。

This article began as a simple profile. I had NO idea how difficult and time consuming it would be. Google translation and the Chinese language do not work well together! I was very lucky to have Ching Weng (Snow)’s son, Simon Hsieh, volunteer to help with the translation. This meant that we could add subtle nuances and stay closer to the beauty and meaning of the Chinese language and culture.

Thank you to Ching Weng and her son Simon Hsieh for making this a wonderful project!

Artist Focus: Carlos Cano

Welcome back to thetirelesstangler.com! This week I’m bringing another incredibly talented artist, Carlos Cano, from Spain! I’ve had plans to feature Carlos for weeks and I’m so glad I can now showcase his amazing art! Carlos’ story is a fascinating tale of artistic progression. Personally, I am a big fan of the first picture below! Let’s get to know Carlos Cano!


“Hi, I’m Carlos Cano, and  live in Madrid, Spain. Since I was young I liked art in general, and drawing in particular. My initial attempts were drawings with ballpoint pen, first only in black and white, and little by little I introduced some color. I have to say that I have always been a simple amateur, I have never received any kind of art (except zentangle, I will get to that). My drawings were always abstract, in somewhat twisted ways, so much so that some friend always said that what I drew was “guts.” Sometimes I relied on something from my surroundings, but I always experimented with it: I was looking for shapes to attract me.
One of the things I always tried to achieve was color gradients, which took me for hours with the ballpoint pen. I also started to test gradients with stippling, but with this technique I did less drawings
I have always enjoyed experimenting with shapes and techniques, and always tried to go to all the art exhibitions that I have been able to. After each exhibition, when I got home, I came back loaded with inspiration, and I turned in blocks of drawing trying to do something similar to what I had seen (which I never got, but that really amused me).

 

Let me show you some of my old drawings, with ball point pens, and one stippled: 


This is an amazing example of stipple (using tiny dots to shade or make pictures). I’ve done these and they are incredibly time consuming but the effect is very cool!
 

 

In 1988 I left up drawing and began to try many other unfinished activities (including learning Japanese, or play rock guitar)

Three years ago, I took again a pen thinking on try some idea. In this case I used fountain pens, also drawing with dots. I did four drawings. The next is the one I prefer:


 

 

But it’s not good idea stippling with fountain pens: the ink always dries, and it changes color. And the nibs, well, they oxidize and also change the ink color.

Then, I discovered zentangleand before I learned the technique, I made the next attempt, also with stippling and fountain pens:



 



This astounded me! All small dots! I can’t imagine the time this took! Stunning!  

 

Since 2005 I have been attending Zentangle classes with María Pérez-Tovar, and I have always tried to experiment with the different tangles, modifying them and trying different ways to use them. For example, these are some personal versions of three tangles. Tri-BeeInapodNiuroda


 

 

I’ve used also some sense of humor in my drawings (the first is a version of the tangle Drawings, the second was for Halloween:

 

 

 

 

 

Sometimes I’ve mixed different media in a drawing, as in this hand I’ve used micron, alcohol markers, color pencils and stippling:

 

 

Spend a minute looking at this. There is so much subtext and the attention to detail is to be appreciated! I think my favorite element is the single Printemps on the index finger. A perfect example of the line weighting we’ve been working on in in various groups! Perfection!

 

Recently I have recovered the desire to experiment with other techniques, and I have redrawn with colored ballpoint pens. This has been my first attempt for more than 30 years.

 

Ballpoint pens are what’s really amazing about this and all of them. With a pen like Pigma Micron or other technical pens there is a nib with ink flow like a felt tip pen. Stipple takes a light touch down for each dot. Ballpoint requires pressure with a circle movement each time. No big deal. Until you work on this scale. Incredible!

 

In this drawing I’ve used Copic markers as color background, and ballpoint pens:

 

 

 

 

One technique I discovered recently is that of shaving cream. With it you get backgrounds of random colors very interesting. I use it with liquid watercolor, although you can also use food coloring, even acrylic paint. My way of drawing on these backgrounds is not very orthodox: I try to draw shapes following the colors of the background and then modifying and adding figures as they occur to me. I must say that my way of drawing is formed by 90% of improvisation, and some previous idea that I quickly modify as I discover possibilities in what is coming out.

The following sequence shows more or less of what I’m talking about:
 
 

 

The next example correspond to a version of StaubKorn’s Pico:



 

With patience and imagination, you can transform any background in what you want. For example, I transformed a partial blue tile in a “tree of life”:



I’m still in awe of Carlos’ techniques both old and new! I’m going to try the shaving cream trick for sure! I’m so excited and blessed to have the opportunity to get to know these artists from across the world! You are a fascinating bunch and I cant wait to show you who is next!