Diva Challenge 352

Welcome back! It’s time for the weekly diva challenge and I’m grateful to have it finished early this week! In keeping with her heart “strings” in February, the Diva challenged us to used nested hearts this week. Basically, one heart string inside another heart string. The challenge flowed easily this week and here is my tile. The pattern on the heart is Lily Moon’s Drogon. This has been a “go-to” tangle for me for quite some time and I use it constantly! On the hollibaugh stripes is a half shattuck, and 2 variations on my Marito pattern. I finished off with Printemps, Apcross (Step-out in the menu above), and a background pattern I learned from one of Eni Oken’s lessons (Treasure Frames I believe).

My pattern Marito can be found in the pattern Menu above, as well as a video step out with added embellishments you can find right here! Thanks for stopping by!

Diva Challenge 350: UMT Rimana

The first Monday of the month is the Diva’s “Use My Tangle” (UMT) week, where she chooses a tangle developed by one of her blog followers. The Diva can be found at iamthedivaczt.com. February’s UMT tangle is Rimana, by one of my most favorite tanglers and Zentangle®️Mosaic friends, Nadine Roller, found here on her wonderful blog “Tangle dich glücklich” (Tangle yourself happy! (translation is probably happily, but I think I got it right! 😉).  Nadine is one of the kindest, most encouraging people I’ve met in the Zentangle community, and I loved her post on this tangle, whose name came from a grateful mix of RIck (Roberts), MAria (Thomas), and NAdine’s (RIMANA) names. (Rick Roberts and Maria Thomas are the founders of The Zentangle®️ Method) It’s about finding the joy and gratitude in one’s life in the small things. I highly recommend giving it a read. The post is in German but carefully translated into English as well.

Congratulations Nadine! It couldn’t have made me happier to give your tangle a try! I’ll be adding this to my stem tangles (zinger, mooka, pokeleaf, etc).

Diva Challenge #349

Hi everyone! Welcome back to The Tireless Tangler! This will be a short post as I dont want to distract from the artist focus I published yesterday! This week the diva, Laura Harms challenged us to use the new Zentangle ® official Tangle called Rumpus! You might be asking, why Rumpus? Because Rick and Maria’s granddaughter Indy “just likes the word”! Its a good enough reason for me!

Take a minute and enjoy the Zentangle video on how to Tangle Rumpus!

 

I worked on a square Renaissance tile this week and stayed pretty much with the standard Tangle. I like this tangle but I couldn’t figure out (yet) how to make it my own!

Here’s my tile!

Artist Focus: Tomàs Padrós

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Hello everyone! Welcome back to The Tireless Tangler! This week’s artist in focus is the incredibly talented Tomàs Padrós!  In keeping with my new format, this week there will be 2 YouTube videos featuring Tomàs. One will have most of the text found here in addition to art not found in this post. It is a bit long (just under 20 min) and some sections are difficult to keep up with because of the amount of text and the editing program used to “move the pictures” tends to be a problem with the text. A 2nd video is available if you want to zen out to music and incredible art but don’t want to read while watching. The normal written version is still available here, but what is special about the whole project, is Tomàs has helped to write and edit this post as well as working with me to choose music that would reflect his taste (although copyright laws make it difficult to have exactly what we want, I hope it will keep the flavor of his taste in music, which is exquisite!). Since I also have a background in Fine Arts and music, it was nice to share ideas about what to choose. Tomàs continually impressed me with his knowledge and compassion. His joy in Zentangle is clear and if you pay attention you will see he has a fun side as well. You will want to be sure to watch the video because it is packed with more art than we could share here! It is lovely and I am so excited to share it with you all! I have said before what a humbling experience it is learning about the artists in focus, and not only is Tomàs an accomplished artist and teacher, his work in his community humbles me greatly. It is with great respect that I present you the art, patterns, and story of Tomàs Padrós!

Note* you might have noticed that the accent on his first name appears differently several places.  Tomàs tells me he “feels” the Catalan as well and he doesn’t mind either way. (I had to research the Catalan language, which led me to a region in Spain and surrounding areas called Catalonia, of which Barcelona is the Capitol if my readings were up to date. Catalan is not related to Spanish as many believe but is a rare Latin-based language that stems from the Roman occupation of the area. The people in Catalonia are actively encouraged to speak Catalan.)


Tomàs Padrós last summer
Tomàs this last summer

“My name is Tomàs Padrós Cruz. I was born and live in Barcelona. I studied Fine Arts, as did my mother, and I’m a high school and college teacher. I have been teaching visual education, technical drawing, and the History of Art for 26 years. My father was an excellent literary writer, my grandfather was a musician, my great-grandfather, a painter and my brother makes illustrations. My brother and I also studied music. My family loves art. In the left photograph we can see, my mother, my brother and I in between. In the next photograph, I show you, my father.

Mi nombre es Tomàs Padrós Cruz. Nací y vivo en Barcelona. Estudié Bellas Artes, como mi madre, y soy profesor de secundaria y bachillerato. Enseño Educación Visual, Dibujo Técnico y Historia del Arte desde hace 26 años. Mi padre fue un excelente autor literario, mi abuelo fue músico vioinista, mi bisabuelo pintor y mi hermano hace ilustraciones. Mi hermano y yo también estudiamos música. A mi familia le encanta el arte. En las siguientes fotografías podemos ver a mi madre mi hermano y yo en medio, y a mi padre aparte.

Over time I was losing contact with other artists. I suffered a disappointment when I drew many drawings for a project that was canceled. I’m not a fan of social networks either. I didn’t use Facebook, Instagram or know Pinterest, etc. I simply disconnected progressively from art practice.

Con el tiempo fui perdiendo contacto con otros artistas. Sufrí una decepción cuando dibujé muchas ilustraciones para un proyecto que se canceló. No soy fan de las redes sociales. No usaba Facebook, ni Instagram, ni conocía Pinterest. Simplemente desconecté de la práctica artística.

I met the world of the Zentangle by chance in the Holy Week of 2016. I’m a Catholic and I‘m involved in groups of preaching and other parish services, especially listening to and accompanying homeless people. We welcome these people in a space that used to be a chapel and now it serves so that they can rest, feel covered, have a coffee, water, juice or cookies and talk. If we can, we help them or we can refer them to the appropriate social services. In the photograph, you can see me and many homeless brothers in an image of the interior of the church during the celebration of the first anniversary of this “Campaign Hospital” in which we have converted the Church of Santa Anna in Barcelona.

Encontré el mundo del Zentangle por casualidad en la Semana Santa de 2016. Soy católico y estoy implicado en grupos de oración, primer anuncio y otros servicios parroquiales, especialmente escuchando y acompañando personas sin techo. Acogemos a estas personas en un espacio que antes servía de capilla y ahora sirve para que descansen, estén a cubierto, tomen un café, agua, zumo o pastas y puedan charlar. Si podemos, les ayudamos o los derivamos a los servicios sociales apropiados. En la fotografía me podéis ver con barba rodeado de hermanos sin-techo en el interior de la  iglesia durante la celebración del  primer aniversario de este “Hospital de Campaña” en el que hemos convertido la iglesia de Santa Anna de Barcelona.

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One day, I entered a religious bookstore without looking for anything concrete and I found myself with a Zentangle book at eye level. The cover was attractive and it caught my attention. The book was: The Great Zentangle Book by Beate Winkler. I fell in love at first sight and started drawing when I got home.

Un dia, entré en una librería religiosa sin buscar nada concreto y me topé con un libro justo a la altura de la vista. La cubierta era atractiva y me llamó la atención. El libro era: El gran libro del Zentangle de Beate Winkler. Fue amor a primera vista y empecé a dibujar nada más llegar a casa.

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I have always liked to draw patterns. The method and philosophy seemed great to me. I spent more than a year practicing patterns and revising or designing mine with a Zentangle mentality and drawing just a few tiles.

Siempre me había gustado dibujar patrones. El método y la filosofía me parecieron geniales. Pasé más de un año practicando patrones o revisando y creando los míos con la mentalidad del Zentangle. Solo dibujé algunos pocos azulejos.

My brother, Esteban Padrós, makes fantastic illustrations for pleasure and publishes them on Instagram and I decided to do the same. This has become a great impulse to draw tiles and systematize my patterns. This happened this past summer, in June of 2017. In just a few months, I have met a lot of wonderful Tanglers from all over the world from whom I learn a lot by sharing. In the image we can see my brother and me, this summer, drawing to post on Instagram.

Mi hermano, Esteban Padrós Cruz, hace fantásticas ilustraciones por gusto y las publica en Instagram, así que decidí hacer lo mismo. Esto se convirtió en el gran impulso para dibujar azulejos y sistematizar mis patrones. Esto ocurrió el pasado verano, en junio de 2017. En solo unos pocos meses conocí a muchos maravillosos zentanglistas de todo el mundo y de los que he aprendido mucho compartiendo. En la imagen podemos ver a mi hermano y yo este verano preparando dibujos para Instagram.

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In these images, I show some of my drawings before the Zentangle discovery. I love the drawing from life, especially the artistic nude. But I also like the more cartoon style. Here are sketches and finished drawings for various projects or gifts.

En las siguientes imágenes os muestro algunos de mis dibujos anteriores al descubrimiento del Zentangle. Me encanta el dibujo del natural, especialmente el desnudo artístico. Pero también me gusta dibujar en un estilo más caricaturesco. Aquí podéis ver alginos bocetos y dibujos acabados para varios proyectos y regalos.

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I also like to design and build small polyhedrons and pop-ups. Then, my students suffer them as technical drawing exercises.

También me gusta diseñar y construir pequeños poliedros y pop-ups. Luego, mis alumnos los sufren como ejercicios de dibujo técnico.

On January 30, commemorating the death of Gandhi, we celebrated the day of peace and non-violence in my school (DENIP). Each year we paint a PART OF the schoolyard wall with the 16-year-old students. This was the first design. One student had the idea. I made the sketch and the students and I painted it on the wall.

El 30 de enero, conmemorando la muerte de Gandhi celebramos el Dia de la Paz y la No-Violencia en mi esciela (DENIP). Cada año pintamos una parte del muro del patio con los alumnos de 16 años. Este fue el primer diseño. Una alumna tuvo la idea, yo hice el boceto a lápiz y los alumnos y yo pintamos el muro.

Shortly after discovering Zentangle, I was also interested in the design of Mandalas and floral doodles that I met through Pinterest. So I spent a few months with this but I soon returned to Zentangle.

Poco después de descubrir el Zentangle me interesé también por el diseño de Mandalas y motivos florales que conocí través de Pinterest. Estuve unos meses con esto pero pronto volví al Zentangle.

As I said, it took me a long time to draw an authentic tile. I spent months drawing only patterns on my notebooks. I love all these exercises. When I can not think of anything, I look at my notebooks and always come up with some idea. In this picture, we can see some of the first sketches of Zenemone, Fringe 2 Fringe, Clorophylia, Fontana and other exercises.

Como ya he dicho, me llevó tiempo dibujar un auténtico azulejo. Estuve meses dibujando solo patrones en mis libretas de apuntes. Me encantan esos ejercicios. Cuando no me sale nada miro en mis cuadernos y siempre sale alguna idea. En esta imagen podemos ver algunos de los primeros bocetos de Zenemone, Fringe 2 Fringe, Clorophylia, Fontana y otros ejercicios.

Although I had done other tiles before with the basic tangles, this was my first tile with a tangle of mine. It’s in the center and it’s called Masx. We can also see Tipple, Crescent Moon, Punzel and a double Shnek frame. Next, I show the Masx step by step that I prepared a lot of time later to show on Instagram. It was the first tangle that I deconstructed to show.

Aunque ya había dibujado azulejos con los tangles básicos, este fue mi primer azulejo con un tangle mío. Está en el centro y se llama Masx. También podemos ver Tipple, Crescent Moon, Punzel y un marco con doble Shnek. También os muestro los pasos para dibujar Masx realizados bastante más tarde para mostrar en Instagram. Este fue el primer tangle que deconstruí para mostrar.

I drew this tangle soon after and I like it a lot. In it we see an edge with Flux. In the interior we recognize Pais and lobed leaves even without baptizing.

Dibujé este azulejo poco después y me gusta mucho. En el podemos ver un marco con flux. En el interior se reconoce Pais y unas hojas lobuladas sin nombre.

Maybe this is my favorite tile. Because the strings allow me to generate interesting feelings of superpositions and I love all the patterns. It was the first one I posted on Instagram because I like it a lot and it respects all of The Zentangle® Method’s requirements with well-known patterns. It seemed perfect to me as a presentation.

Quizás este es mi azulejo favorito, porque las cuerdas me permiten generar iteresantes sensaciones de superposición y me encantan todos los patrones. Fue el primero que mostré en Instagram porqué me gusta mucho y respeta todos los principios del Método Zentangle con bien conocidos tangles. Me pareció perfecto como carta de presentación.

Florz, Bales, Huggins, Shattuck

I also felt very satisfied with this tile. It contains two tangles of mine: Membranart and Vertebraid. In the upper right margin, I show a kind of geometric cells that I have not named. I think it has a drama and an organic character that I love. Currently, I would intensify more its shadows in the lower layers.

También me sentí muy satisfecho con este azulejo. Contiene dos tangles míos: Membranart y Vertebraid. En el margen superior derecho os muestro unos compartimentos geométricos sin nombre. Creo que tiene contrastes dramáticos y un carácter orgánico que me encanta. Actualmente, intensificaría más las sombras en las capas inferiores.

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I also like to play with well-known tangles, merge them or find new possibilities. In the first image we see how to draw an intricate Diva dance.

También me gusta jugar con conocidos tangles, fusionándolos o buscando nuevas posibilidades. En la primera imagen vemos como dibujar un Diva Dance intrincado.

In the next tile, I progressively merge Margaret Bremmer’s Diamond Panes with Jane Monk’s Trimonds.

En el próximo azulejo, fusiono progresivamente Diamond Pines de Margaret Bremner con Trimonds de Jane Monk.

Here I show the possibilities of a simple looping string adding auras. When I drew this tile, I thought it was a simple and original idea. But I discovered recently that this is called Courant and it’s an official tangle if I’m not mistaken. I happened more than once to “create” a tangle that already exists.

Aquí muestro las posibilidades de una cuerda retorcida añadiendo auras. Cuando dibujé este azulejo pensaba que había tenido una idea sencilla y original. Pero he descubierto recientemente que este diseño se llama Courant y es un tangle oficial, si no me quivoco. Me ha pasado más de una vez “crear” un tangle que ya existía.

In the following tiles, I just have fun with Septembies by Hanny Waldburger and I call it “Septembies vacation” or I play with the contrast of a rounded and a straight Ha-Krall by Holly Atwater.

En los siguientes azulejos simplemente me divierto con Septembies de Hanny Waldburger y lo titulo “Vacaciones de Septembies” o juego con el contraste entre un redondeado y un rectilíneo Ha-Krall de Molly Atwood.

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Also we can see a tile on which I adapted to a hexagonal structure three tangles like X, ‘Nzeppel and Tripoli. Then, I show a merge between W2 and Weben.

Tambié podemos ver aquí un azulejo en el que adapto en una estructura hexagonal tres tangles como X, ‘Nzeppel y Tripoli. Luego, os muestro una fusión entre W2 y Weben.

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I show you now a play with 3D-Room and Dex, a tangleation of Fleavy and an extreme tangleation of Weben, so far from the original tangle. I called it Lattice.

Ahora os muestro un divertimento entre 3D-Room y Dex, una tangleación de Fleavy y una tangleación extrema de Weben, ya muy lejos de su aspecto oroginal. La llamo Lattice.

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My passion for the beauty of each pattern leads me to a certain tendency for monotangle, so from time to time I return to the traditional strings that delineate spaces that fill with known tangles.

Mi pasión por la belleza de cada patrón me lleva a cierta tendencia al monotangle. Así que de vez en cuando vuelvo a las tradicionales cuerdas que determinan espacios que lleno con conocidos tangles.

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Also, sometimes I completely dispense with the strings and develop the drawing directly, step by step. In the first image, we see Dragoneye and Katerpy by Alena Light. In the second image I insert Katerpy and Bunzo-like shapes in a Fleavy tangleation.

También, a veces, me desentiendo de las cuerdas y desarrollo el dibujo de forma directa, paso a paso. En la primera imagen podemos ver Dragoneye y Katerpy de Alena Light. En la seguna imagen he insertado Katerpy y algo parecido a Bunzo en una tangleación de Fleavy.

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In this one, I draw what I call Cross Braided ribbons. Here combined with Tipple, Bedlines and Up and Across.

En este otro azulejo he dibujado lo que yo llammo Cross Braided Ribbons. Aquí combinadas con Tipple, Bedlines y Up and Across.

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But I guess one of the things I enjoy the most is designing or using my own patterns, such as already known Irradial, Membranart, Meshmerize or Chorus.

Pero una de las cosas con las que más disfruto es diseñando y usando mis propios patrones, tales como los ya conocidos Irradial, Membranart, Meshmerize o Chorus.

Dancing Zebras

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Finally, I show you more tiles to my taste, some with patterns of my own that are less known, such as Fontana (here merged with Maizie), Zenemone, Selfeat. Fringe 2 fringe, Vertebraid (with a Crescent moon touch), Buckled up! (here Hybridized with Vertebraid), ZigZagTrack, ZN-tangle or the fragments Mom’s clip, Bow-tie, and Neck-tie. These and some more appear with their steps in my Instagram account: @tomas-padros. I will also be uploading my drawings on Facebook. I have more patterns in reserve that I will show over time. See you!

Finalmente, os muestro más azulejos de mi gusto, algunos con mis propios patrones menos conocidos, como Fontana (Aquí fundido con Maizie), Zenemone, Selfeat, Fringe 2 fringe, Vertebraid (con un toque de Crescent Moon), Buckled up! (aquí Hibridado con Vertebraid), ZigZagTrack, ZN-tangle o los fragmentos Mom’s clip, Bow-tie y Neck-tie. Estos y otros más aparecen con sus pasos en mi cuenta de Insagram. @tomas_padros. También iré mostrando mis dibujos en Facebook. Tengo más patrones en la reserva que iré mostrando con el tiempo. Nos vemos!

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ZigZagTrack

Two new fragments

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It’s been great working with Tomàs. What an incredible, talented man! I am already a follower, and I decided to check out his brother Esteban’s Instagram account. He is also, amazingly gifted artistically. Follow Tomàs on Instagram @tomas-padros. (Esteban is @esteban-padros). If Tomàs accomplishes half as much in the next 6 months, we’ll be hearing from him for a long time in the future. Thank you so much, Tomás for sharing your life and art!

Diva Challenge #338

This week’s Diva Challenge was to do “white on black”. It’s been some time since I have worked on black much. It took me back to my first pattern, Apcorg. I drew it on black a lot! So I decided to do Apcorg this week. I finished quickly and felt I hadn’t done much so I tried it out on a Zendala black tile. I’d never used a genuine black Zentangle ® tile before nor a zendala tile so I tried it out.

I have to say I’m not a fan of how my white pens performed. The genuine black zendala is very good paper (Fabriano) and appropriate for wet media. Unfortunately, this means it likes to soak up ink. I used both my Gelly Roll and my Uniball Signo. They rolled on okay but by the time I would finish the next stroke, the last would be soaked in and no longer looked crisp and white, making me try to redraw lines. It gave the piece a rather blurry appearance. I don’t know if they offer the apprentice black tiles in Zendalas but it’s a much better draw on those tiles with black. This is my opinion, So see for yourself. I think square is a nicer look than in the round.

And lastly, because I’m a girl and love sparkling things, I added some clear glitter pen for pizzazz to my first tile.

New Pattern: Marito

Two months ago as I was playing with the pattern Trefoil, it occurred to me to try and make the triangular framework into more of a curved ribbon style. The day before I’d seen CZT, Suzanne McNeill’s pattern Wavy Border on Pinterest and somehow that experimentation plus the Wavy Border visual became my new pattern, Marito. It is a nickname for my little boy who was very much on my mind while I was working that day. While Marito has a similar look to Wavy Border, it’s a different process as well as having many ways to vary the look. Marito has 2 versions, one using a more triangular shape and one that is rounded. It is great for borders as it allows for a wide variety of embellishment possibilities. I love it particularly for gem borders. It can be as simple or fancy as you want. A special thanks to Amanda Rose Rambo for contributing the feature image!

As with my other 2 patterns, I am very interested in seeing and posting any art you might create using Marito! Email me your pictures at Thetirelesstangler@gmail.com and I’ll add an album with everyone’s Marito art! If you have seen this pattern elsewhere, please let me know and I will remove it.

Apcross Published Today

I’m very pleased to announce my 2nd pattern, Apcross, was published today by pattern-collections.com! Thanks to the hard work of administrator Nicole Dreyer and the help of Terri Delaune, CZT I can finally stop bugging everyone and focus on art again. (Nicole I know you are happy to hear that!) There are hundreds and hundreds of patterns out there and now there’s one more! I don’t know if anyone will use it but my goal is met and I can get busy with my next artist focus. Ina Sonnenmoser, administrator at pattern-collections.com, has asked me to begin writing the featured artist piece for their blog. What an honor that is! Pattern collections is a huge site with a huge following and I am blessed to be given this opportunity! It has been a busy week and I  still have art to finish before the next post but I’m  moving in the right direction and I’m quite pleased. Thanks to all of you who follow and read! You are very appreciated!

 

So, here’s my new Apcross step-out. Again, the featured image is by CZT, and good friend, Jody Genovese! Thanks for everything Jody! Your tile is framed and hanging on my wall!

Milestones

I had to stop yesterday and breathe, and focus on accomplishments. I am normally frenetic about constantly creating at a high level (that’s a high level for myself not everyone else!) and pretty OCD about getting things done well and on time. Unfortunately, this means I get lost in the journey and forget about the big picture. Me and half the population, right!? Today was a big picture day for me. After slogging along for about 9 months this blog hit 3,000 views and today i had 100 views in about 8 hours. Seems silly but its nice to see your hard work realized even to a small scale.

I wouldn’t be here though, without the encouragement and support of the wonderful people in the Zentangle® Mosaic app, as well as the amazing group of artists and friends at Tangle It! Pattern Club on Facebook. Hmm, this sounds like a bad award dinner speech! Since I’m thanking the academy, let me give a nod first to Barb Masinton for the use of her beautiful art for this post! It’s nice not to need to prepare art for each post and quite honestly her art has been part of the reason my site traffic has been up. It’s simply spectacular! I also wanted to thank Dr. Ellie Miller (who’s off for CZT training next week, Gratz Ellie!🤗) of Tanglesxm.com and Write of Passage. She stuck with me thru a long time during which I couldn’t write or create. We found each other on WordPress then discovered we were both on Mosaic. Since that time, she’s been a true friend in her support and encouragement. Thank you Ellie! I cant forget Terri Delaune, CZT for your help with my pattern submissions. It helps having feedback! Dolly Bolen, CZT, Jody Genovese, CZT, and Sarah Fowler, each of whom have been encouragers, and all of whom created fabulous art using my Patterns so I would be able to showcase them in a variety of ways, thank you all! In honor of their impact on my life, here is some wonderful art by these wonderful ladies! Zentangle is amazing! Everyday, I get visitors from all over the world. April has been my most successful month yet. Thank you all!

Apcorg by Sarah Fowler
Apcorg by Terri Delaune,CZT
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Apcorg By Dolly Bolen,CZT ( a favorite!)

 

Apcross tiles by Terri Delaune, CZT (thank you so much!)
Tangled tile using Apcross by Terri Delaune, CZT
Apcorg by Dr Ellie Miller
Apcross by Dr Ellie Miller
(struggling with this WordPress iOS app. So the photos aren’t set in perfectly and I had 2 duplicates I couldn’t remove without starting over. My quick post changed into a nightmare but I’m still grateful!)

Introducing My 2nd New pattern: Apcross!

Hello and welcome back to thetirelesstangler.com where we don’t sleep, we just continually draw, tangle, and write without cease! I’m very excited to release the step out of my deconstructed pattern, Apcross! Apcross is the grid version of Apcorg. You can certainly do Apcorg in a grid as is, but I found the sheer number of orbs (or pearls) gets to be a mess once it’s done. So when developing Apcorg I discovered  a grid version that looks so pretty,  I became certain it would be more popular than Apcorg. 😃😉 Of course, I am not at all certain it will catch on either! 

This is a temporary step out until I get a yes or no from TanglePatterns.com and pattern-collections.com, where I have recently submitted (and resubmitted) them. Thanks go to Terri Delaune, CZT, for her insights into how to prepare a pattern for submission, as well as her specific thoughts on Apcorg, Apcross and the border version I named Apcream.  According to Terri, Apcross is a meta-pattern. My Zentangle®️ Primer explains a meta-pattern- “You don’t intentionally draw meta-patterns. They just appear as you draw different tangles or parts of tangles next to each other.” This is exactly what happened with Apcross! It needs it’s own step out so it got it’s own name. 

And so, without further ado, here is Apcross! 

Apcross deconstructed by Cyndee Pelley

Please feel free to contact me if you se it! I’d love to publish your art in the Apcorg gallery!

Here are a few examples  of Apcross! 

The Go-To Pattern Library Daily Challenge

The Tangle It! Pattern Club on Facebook began a very inventive daily challenge last week. The premise of the challenge is to make a short list of your go-to tangles (the tangles you tend to use over and over because they’ve become a part of you), then using a focus pattern (last week’s was the  Zentangle® original pattern Shattuck) and a predetermined string from the group, you finish your tile using only your go-to tangles. There are 7 different strings each week and your tiles then go into a dedicated album that becomes your “go-to” library and shows your skill evolution with each Tangle over time. If you are looking for skill building challenges that help solidify your patterns as well as allowing you to explore a pattern’s versatility in a structure that is safe, I highly recommend this challenge! If you’d like to join me and many others in the Go-To challenge, here’s where you start! 

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Week 1, string 1, #shattuck, #tipple, #betweed, #printemps

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Week one, String 2, #paradox, #shattuck, #drawings, #fescu
 

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Week 1,string 3′ #tipple, #ruffles, #shattuck

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Week 1, string 4, #printemps, #hollibaugh, #shattuck, #joki, #apcorg, #betweed

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week one, string 5, #shattuck, #betweed
There is no tile 6. I drew the string and started with shattuck. Unfortunately, the string had a nice round loop and my brain went “zengem!” About the time I finished drawing the setting I realized neither the gem nor the setting were in my go-to library! Sigh! I could’ve started over but I’m already 2 days behind on this week’s daily challenges.

Here’s the 7th and last string.

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Week 1, string 7, #shattuck, #flux, #apcross
I liked that I was able to change up shattuck quite a bit each time but my favorite tile was string 4. Reminds me of a funky jungle! Although I don’t know if I progressed with my drawing of shattuck, I know that I will see much broader possibilities now and my confidence in choosing one of those possibilities is now much stronger. Thanks to Ina Sonnenmoser, administrator of the Tangle it! Pattern club, for this great idea and for being willing to work so hard to bring it to fruition! Great challenge!