Diva Challenge 362 and CZT 32!

The Diva Challenge this week took an interesting turn when I applied Eni Oken’s Tangle Enhancers Card Game. The Diva, Laura Harms, challenged us this week to “Use My Tangle” with her pattern “Somnee”. Somnee is a similar pattern to Zentangle’s “Hollibaugh” and I needed some inspiration to dress it up a bit. I used Copic markers for color, and Prismacolor Pencils for shading. Luckily, I have Eni Oken’s new card game, “Art and Tangle Game“! This game is designed to guide creativity when you’re not sure what direction to take and it worked! I chose 3 Tangle Enhancers. Line weight and rounding, fancy border and color a lá line interrupted. If you struggle sometimes knowing what to do next, I highly recommend Eni’s card game. You can find it here!

And here’s my finished tile!

One last thing I want to share with you this week! I have been given the opportunity to attend CZT 32 (Certified Zentangle Teacher training) in October! I’m so excited about this opportunity! Unfortunately, I have to now raise $2250.00 to pay for the trip! Because I live on disability, and am a single parent, raising that much money is a challenge!

This last week, Eni Oken suggested I start a gofundme campaign. Eni generously donated herself, but then went above and beyond by sharing the campaign in her Shading Fearlessly group. In one day, I’d raised more than $500.00! My secret passion for becoming a CZT changed from a distant hope to confidence as I sent $500.00 to Zentangle, Inc, yesterday! My deepest gratitude goes out to all the people who have donated! A very special thanks to Eni Oken for giving me the confidence to create and promote the campaign! As of this post, I’ve raised $655.00!

Could you help me reach this goal?

https://www.gofundme.com/Send-me-to-CZT32

Diva Challenge 359

This week’s challenge from CZT, Laura Harms, was to use our fingers as a guide for the string. You can join in at the Diva’s website, iamthedivaczt.com.

I actually thought this was going to be an easy challenge but for some strange reason, I couldn’t find just the “right” tangles. I drew the string 3 times and I’ll show you 2 of them. I felt pretty “meh” about them, but finished anyway. Here they are.

Lastly, I have a new step-out video for my first pattern, Apcorg. It includes a digitally drawn step-out and a hand drawn example of Apcorg in a 4 square setup, perfect for a focal point. I hope you enjoy!

Diva Challenge 358 “Pickpocket” by Tomàs Padrós

Hey Y’all, this is Cyndee and I’m the Tireless Tangler! It is time for this week’s Diva Challenge number 358. This week, the diva has challenged us to use Pickpocket, a pattern by Tomàs Padrós. You may remember that I published an artist focus article on Tomàs in January, sharing his life, his art, and his journey into Zentangle! You can find the link for the artist focus below and it might give you a new perspective on Tomàs and his patterns. Tomàs is a fairly recent Tangler starting around the same time as I did two years ago.

Artist Focus Tomàs Padrós

I thoroughly enjoyed meeting Tomàs’ Pickpocket pattern. We had to play around a bit to get an enjoyable result, however, now we have made friends, this pattern has become one of my go-tos for tangling. Grid patterns have never been my best thing, but I managed to make friends with Pickpocket and put my own spin on it. Now it’s become an instant favorite. I will never produce the perfect lines and spaces that Thomas is able to produce. He is an incredible artist and a skilled teacher. I’m learning that it’s not about a competition, it’s about the process and the sharing the joy in the creativity of art! I made a short video demonstrating the part I struggled with and how I made it work. Probably easy for most but I’ve learned if I struggled then someone else might have as well.

As I couldn’t stop drawing pickpocket, I have many tiles to share! Also, don’t miss the YouTube video featuring Tomàs’ art with a flavor of his taste in music. With music, we were muy simpático!

You can find Tomàs on Instagram @tomas_padros, where he shares his wonderful patterns with everyone!

You can join the Diva’s challenges by visiting her here at iamthedivaczt.com

Diva Challenge 357/Kitchen Table Tangles

Welcome back to thetirelesstangler.com! It’s been a busy week as my child’s school was out for spring break and keeping him busy is sometimes exhausting! However, we had a great week together filled with fun!

This week we have a “monotangle” which is a term coined by the Diva to mean a tile using a single tangle. I’m always more relaxed with monotangles as they remove the doubt and struggles of merging more than one tangle. The Diva chose “Paradox” as the tangle this week and it’s one of my favorite tangles! It certainly takes practice to get the sections to flow but its worth it! I love the results. 😊

Here’s my Challenge tile for this week’s Paradox monotangle.

Late last week, Zentangle® HQ released another awesome Kitchen Table Tangles video on a different way to do a Cadent Tangleation! I hope you enjoy it as much as did!

Artist Focus: May Wu

Last week, I was browsing one of our wonderful Zentangle® Facebook groups, and I came across an amazing piece of art! As I’ve been waiting for some artists for the focus, I thought I’d check out her Facebook page and this is what I found!

 

Incredible! Right?! This week we have another artist from Taiwan, CZT22, May Wu! She is in the city of Kaohsiung, and with respect to her, I’ll post the Mandarin first and then the English. I am thrilled to feature her here on The Tireless Tangler, and although this post is shorter than most, May is preparing to publish a book with her art included and we didn’t want to give away too much of her work! I’ll be excited to see it when it’s published as her art is stunning and I would love to learn her methodology!

Here is May in her own words. 

有一天在書局閑逛的時候發現一個非常吸引人的圖片,當時正在尋找靈感為下一個珠寶設計圖而煩惱,圖片的內容不太符合邏輯但卻又獨特美麗,看似複雜卻也似乎不難,於是好奇的打開書本,這就是我第一次接觸到禪繞畫(zentangle)

身為一個珠寶鑒定師及設計者,對於真品或仿品,甚至於寶石尺寸的測量都必須小心且精確,也就是說畫設計圖是有壓力的。我必須說禪繞畫跟我的職業的思維完全是相反的,它不需工具,沒有對錯,沒有目的性,唯一相同的是專注於當下,當然對於沒有繪畫技巧的人都可以創作出一幅美麗優雅又獨特的畫這件事又更令我驚訝了!

2016年4月,我前往波士頓探訪親人,也在Providence 完成了一趟禪繞畫認證之旅,我親自探索了這個令人好奇又不可思議的繪畫世界,之後我成為了第22期的認證敎師(CZT22),Rick及Maria是我的啓蒙老師.

現在我仍然從事於寶石的鑑定及設計的工作,但我對於能敎授大眾以簡單及放鬆的方式就能享受畫畫樂趣這件事讓我更有成就感。

我以寶石結合禪繞畫的ZIA創作方式,似乎受到了很多禪繞畫認證老師CZT及學生的歡迎,我也樂於把繪畫寶石的技巧敎授給他們,當大家完成一張閃熠寶石光芒的禪繞畫時,大家的臉龐也充滿了喜悅及滿足的光芒,這是一種美,襌繞畫讓大家享受了繪畫的樂趣,我也因敎授襌繞畫的關係把這些我喜歡的漂亮寶石介紹給大家。

每個人都有創造美的能力,禪繞畫誏我及學生們為這世界創造更多的美. 

你們可以在FB打上 fb.me/maywuzentangle 或是Instagram 打上  @maywuzentangle  找到我 

May Wu

Kaohsiung, Taiwan.

 

“May Wu ( Kaohsiung, Taiwan)

It was purely by coincidence that I discovered Zentangle. As a career jewelry designer, I was looking for inspirations in a bookstore when a book on Zentangle drew my attention; Simple yet elegant, illogical but beautiful, the illustrations opened a new world for me. I have never looked back since.

As a professional Jewelry Appraiser and Designer, I am always looking to be precise and accurate. The freedom that Zentangle gives me is liberating. I love how easy it is to express yourself through the art form and how accessible this art is to the masses. As long as one is focused on the moment, anyone can create a masterpiece.

Three years after the fateful discovery, I was certified in April 2016 in Providence, Rhode Island during CZT22. My passion has taken me across the oceans and I am forever appreciative of Rick and Maria for showing me the way.

Now, even though I am still a Jewelry Designer/Appraiser, I have found joy in introducing Zentangle to the public, and I teach and share my joy in my corner of the world, in Kaohsiung City, Taiwan.

I tend to bring my knowledge from Jewelry design into my artwork, and I apply the Zentangle method in ZIA along with the unique way I draw my gems. It is a style that defines me, and I really love to explore what I can create. The style reflects who I am and my professional training.

Everyone can create art, and Zentangle gives me a tool to do that together with my students. It is gratifying to see people brimming with joy and satisfaction from what they have created. I hope to bring more beauty into the world we live in, one Zentangle at a time.

You can find me on [ @maywuzentangle ] or [ fb.me/maywuzentangle]. I am working on a book which will detail my methodology and feature some of my best works, so stay tuned!”

 

 

 

 

There are several more focus posts coming up and they are all so awesome I can’t believe I get to write about them! Make sure you check back often or follow me here and subscribe to my newsletter. You can also follow me on Facebook, Instagram, and Twitter.  Links are in the sidebar or at the bottom of this post on your mobile device!

It’s a String Thing Challenge 231 with Eni Oken’s Blue Sky

I’m finally caught up enough to do the It’s a String Thing challenge this week! Luckily, Eni Oken released a new Blue Sun video lesson the day after the challenge came out and they dovetailed perfectly! Here’s the string with inspiration from the Olympics. The 3 tangles were Golven ( G for gold), Sand Swirl (S for silver) and Barney ( B for Bronze). I’m not sure my tile kept the idea of the Olympics or not but the string was perfect for the Blue Sun lesson from Eni Oken! I used a Bristol vellum tile and a mixture colored pencil and Sakura Pigma Micron and Sakura gelly roll Moonlights. It’s another great lesson for Art Club!

I haven’t been very plugged into Facebook lately, mostly due to behind the scenes work on a new Freeform Celtic Knot Tutorial. It’s almost ready and will include a free pdf with extra Knot configurations! I’m pretty excited to teach it as it has quickly turned very zenful to draw for me. Be sure to check back soon!

Artist Focus: Tomàs Padrós

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Hello everyone! Welcome back to The Tireless Tangler! This week’s artist in focus is the incredibly talented Tomàs Padrós!  In keeping with my new format, this week there will be 2 YouTube videos featuring Tomàs. One will have most of the text found here in addition to art not found in this post. It is a bit long (just under 20 min) and some sections are difficult to keep up with because of the amount of text and the editing program used to “move the pictures” tends to be a problem with the text. A 2nd video is available if you want to zen out to music and incredible art but don’t want to read while watching. The normal written version is still available here, but what is special about the whole project, is Tomàs has helped to write and edit this post as well as working with me to choose music that would reflect his taste (although copyright laws make it difficult to have exactly what we want, I hope it will keep the flavor of his taste in music, which is exquisite!). Since I also have a background in Fine Arts and music, it was nice to share ideas about what to choose. Tomàs continually impressed me with his knowledge and compassion. His joy in Zentangle is clear and if you pay attention you will see he has a fun side as well. You will want to be sure to watch the video because it is packed with more art than we could share here! It is lovely and I am so excited to share it with you all! I have said before what a humbling experience it is learning about the artists in focus, and not only is Tomàs an accomplished artist and teacher, his work in his community humbles me greatly. It is with great respect that I present you the art, patterns, and story of Tomàs Padrós!

Note* you might have noticed that the accent on his first name appears differently several places.  Tomàs tells me he “feels” the Catalan as well and he doesn’t mind either way. (I had to research the Catalan language, which led me to a region in Spain and surrounding areas called Catalonia, of which Barcelona is the Capitol if my readings were up to date. Catalan is not related to Spanish as many believe but is a rare Latin-based language that stems from the Roman occupation of the area. The people in Catalonia are actively encouraged to speak Catalan.)


Tomàs Padrós last summer
Tomàs this last summer

“My name is Tomàs Padrós Cruz. I was born and live in Barcelona. I studied Fine Arts, as did my mother, and I’m a high school and college teacher. I have been teaching visual education, technical drawing, and the History of Art for 26 years. My father was an excellent literary writer, my grandfather was a musician, my great-grandfather, a painter and my brother makes illustrations. My brother and I also studied music. My family loves art. In the left photograph we can see, my mother, my brother and I in between. In the next photograph, I show you, my father.

Mi nombre es Tomàs Padrós Cruz. Nací y vivo en Barcelona. Estudié Bellas Artes, como mi madre, y soy profesor de secundaria y bachillerato. Enseño Educación Visual, Dibujo Técnico y Historia del Arte desde hace 26 años. Mi padre fue un excelente autor literario, mi abuelo fue músico vioinista, mi bisabuelo pintor y mi hermano hace ilustraciones. Mi hermano y yo también estudiamos música. A mi familia le encanta el arte. En las siguientes fotografías podemos ver a mi madre mi hermano y yo en medio, y a mi padre aparte.

Over time I was losing contact with other artists. I suffered a disappointment when I drew many drawings for a project that was canceled. I’m not a fan of social networks either. I didn’t use Facebook, Instagram or know Pinterest, etc. I simply disconnected progressively from art practice.

Con el tiempo fui perdiendo contacto con otros artistas. Sufrí una decepción cuando dibujé muchas ilustraciones para un proyecto que se canceló. No soy fan de las redes sociales. No usaba Facebook, ni Instagram, ni conocía Pinterest. Simplemente desconecté de la práctica artística.

I met the world of the Zentangle by chance in the Holy Week of 2016. I’m a Catholic and I‘m involved in groups of preaching and other parish services, especially listening to and accompanying homeless people. We welcome these people in a space that used to be a chapel and now it serves so that they can rest, feel covered, have a coffee, water, juice or cookies and talk. If we can, we help them or we can refer them to the appropriate social services. In the photograph, you can see me and many homeless brothers in an image of the interior of the church during the celebration of the first anniversary of this “Campaign Hospital” in which we have converted the Church of Santa Anna in Barcelona.

Encontré el mundo del Zentangle por casualidad en la Semana Santa de 2016. Soy católico y estoy implicado en grupos de oración, primer anuncio y otros servicios parroquiales, especialmente escuchando y acompañando personas sin techo. Acogemos a estas personas en un espacio que antes servía de capilla y ahora sirve para que descansen, estén a cubierto, tomen un café, agua, zumo o pastas y puedan charlar. Si podemos, les ayudamos o los derivamos a los servicios sociales apropiados. En la fotografía me podéis ver con barba rodeado de hermanos sin-techo en el interior de la  iglesia durante la celebración del  primer aniversario de este “Hospital de Campaña” en el que hemos convertido la iglesia de Santa Anna de Barcelona.

Santa Anna.jpg

One day, I entered a religious bookstore without looking for anything concrete and I found myself with a Zentangle book at eye level. The cover was attractive and it caught my attention. The book was: The Great Zentangle Book by Beate Winkler. I fell in love at first sight and started drawing when I got home.

Un dia, entré en una librería religiosa sin buscar nada concreto y me topé con un libro justo a la altura de la vista. La cubierta era atractiva y me llamó la atención. El libro era: El gran libro del Zentangle de Beate Winkler. Fue amor a primera vista y empecé a dibujar nada más llegar a casa.

Beate_Winklers_the_great_Zentangle_book.jpg

I have always liked to draw patterns. The method and philosophy seemed great to me. I spent more than a year practicing patterns and revising or designing mine with a Zentangle mentality and drawing just a few tiles.

Siempre me había gustado dibujar patrones. El método y la filosofía me parecieron geniales. Pasé más de un año practicando patrones o revisando y creando los míos con la mentalidad del Zentangle. Solo dibujé algunos pocos azulejos.

My brother, Esteban Padrós, makes fantastic illustrations for pleasure and publishes them on Instagram and I decided to do the same. This has become a great impulse to draw tiles and systematize my patterns. This happened this past summer, in June of 2017. In just a few months, I have met a lot of wonderful Tanglers from all over the world from whom I learn a lot by sharing. In the image we can see my brother and me, this summer, drawing to post on Instagram.

Mi hermano, Esteban Padrós Cruz, hace fantásticas ilustraciones por gusto y las publica en Instagram, así que decidí hacer lo mismo. Esto se convirtió en el gran impulso para dibujar azulejos y sistematizar mis patrones. Esto ocurrió el pasado verano, en junio de 2017. En solo unos pocos meses conocí a muchos maravillosos zentanglistas de todo el mundo y de los que he aprendido mucho compartiendo. En la imagen podemos ver a mi hermano y yo este verano preparando dibujos para Instagram.

mi hermano y yo.jpg

In these images, I show some of my drawings before the Zentangle discovery. I love the drawing from life, especially the artistic nude. But I also like the more cartoon style. Here are sketches and finished drawings for various projects or gifts.

En las siguientes imágenes os muestro algunos de mis dibujos anteriores al descubrimiento del Zentangle. Me encanta el dibujo del natural, especialmente el desnudo artístico. Pero también me gusta dibujar en un estilo más caricaturesco. Aquí podéis ver alginos bocetos y dibujos acabados para varios proyectos y regalos.

Tomàs Padrós image

I also like to design and build small polyhedrons and pop-ups. Then, my students suffer them as technical drawing exercises.

También me gusta diseñar y construir pequeños poliedros y pop-ups. Luego, mis alumnos los sufren como ejercicios de dibujo técnico.

On January 30, commemorating the death of Gandhi, we celebrated the day of peace and non-violence in my school (DENIP). Each year we paint a PART OF the schoolyard wall with the 16-year-old students. This was the first design. One student had the idea. I made the sketch and the students and I painted it on the wall.

El 30 de enero, conmemorando la muerte de Gandhi celebramos el Dia de la Paz y la No-Violencia en mi esciela (DENIP). Cada año pintamos una parte del muro del patio con los alumnos de 16 años. Este fue el primer diseño. Una alumna tuvo la idea, yo hice el boceto a lápiz y los alumnos y yo pintamos el muro.

Shortly after discovering Zentangle, I was also interested in the design of Mandalas and floral doodles that I met through Pinterest. So I spent a few months with this but I soon returned to Zentangle.

Poco después de descubrir el Zentangle me interesé también por el diseño de Mandalas y motivos florales que conocí través de Pinterest. Estuve unos meses con esto pero pronto volví al Zentangle.

As I said, it took me a long time to draw an authentic tile. I spent months drawing only patterns on my notebooks. I love all these exercises. When I can not think of anything, I look at my notebooks and always come up with some idea. In this picture, we can see some of the first sketches of Zenemone, Fringe 2 Fringe, Clorophylia, Fontana and other exercises.

Como ya he dicho, me llevó tiempo dibujar un auténtico azulejo. Estuve meses dibujando solo patrones en mis libretas de apuntes. Me encantan esos ejercicios. Cuando no me sale nada miro en mis cuadernos y siempre sale alguna idea. En esta imagen podemos ver algunos de los primeros bocetos de Zenemone, Fringe 2 Fringe, Clorophylia, Fontana y otros ejercicios.

Although I had done other tiles before with the basic tangles, this was my first tile with a tangle of mine. It’s in the center and it’s called Masx. We can also see Tipple, Crescent Moon, Punzel and a double Shnek frame. Next, I show the Masx step by step that I prepared a lot of time later to show on Instagram. It was the first tangle that I deconstructed to show.

Aunque ya había dibujado azulejos con los tangles básicos, este fue mi primer azulejo con un tangle mío. Está en el centro y se llama Masx. También podemos ver Tipple, Crescent Moon, Punzel y un marco con doble Shnek. También os muestro los pasos para dibujar Masx realizados bastante más tarde para mostrar en Instagram. Este fue el primer tangle que deconstruí para mostrar.

I drew this tangle soon after and I like it a lot. In it we see an edge with Flux. In the interior we recognize Pais and lobed leaves even without baptizing.

Dibujé este azulejo poco después y me gusta mucho. En el podemos ver un marco con flux. En el interior se reconoce Pais y unas hojas lobuladas sin nombre.

Maybe this is my favorite tile. Because the strings allow me to generate interesting feelings of superpositions and I love all the patterns. It was the first one I posted on Instagram because I like it a lot and it respects all of The Zentangle® Method’s requirements with well-known patterns. It seemed perfect to me as a presentation.

Quizás este es mi azulejo favorito, porque las cuerdas me permiten generar iteresantes sensaciones de superposición y me encantan todos los patrones. Fue el primero que mostré en Instagram porqué me gusta mucho y respeta todos los principios del Método Zentangle con bien conocidos tangles. Me pareció perfecto como carta de presentación.

Florz, Bales, Huggins, Shattuck

I also felt very satisfied with this tile. It contains two tangles of mine: Membranart and Vertebraid. In the upper right margin, I show a kind of geometric cells that I have not named. I think it has a drama and an organic character that I love. Currently, I would intensify more its shadows in the lower layers.

También me sentí muy satisfecho con este azulejo. Contiene dos tangles míos: Membranart y Vertebraid. En el margen superior derecho os muestro unos compartimentos geométricos sin nombre. Creo que tiene contrastes dramáticos y un carácter orgánico que me encanta. Actualmente, intensificaría más las sombras en las capas inferiores.

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I also like to play with well-known tangles, merge them or find new possibilities. In the first image we see how to draw an intricate Diva dance.

También me gusta jugar con conocidos tangles, fusionándolos o buscando nuevas posibilidades. En la primera imagen vemos como dibujar un Diva Dance intrincado.

In the next tile, I progressively merge Margaret Bremmer’s Diamond Panes with Jane Monk’s Trimonds.

En el próximo azulejo, fusiono progresivamente Diamond Pines de Margaret Bremner con Trimonds de Jane Monk.

Here I show the possibilities of a simple looping string adding auras. When I drew this tile, I thought it was a simple and original idea. But I discovered recently that this is called Courant and it’s an official tangle if I’m not mistaken. I happened more than once to “create” a tangle that already exists.

Aquí muestro las posibilidades de una cuerda retorcida añadiendo auras. Cuando dibujé este azulejo pensaba que había tenido una idea sencilla y original. Pero he descubierto recientemente que este diseño se llama Courant y es un tangle oficial, si no me quivoco. Me ha pasado más de una vez “crear” un tangle que ya existía.

In the following tiles, I just have fun with Septembies by Hanny Waldburger and I call it “Septembies vacation” or I play with the contrast of a rounded and a straight Ha-Krall by Holly Atwater.

En los siguientes azulejos simplemente me divierto con Septembies de Hanny Waldburger y lo titulo “Vacaciones de Septembies” o juego con el contraste entre un redondeado y un rectilíneo Ha-Krall de Molly Atwood.

Tomàs_Padrós.jpg

Also we can see a tile on which I adapted to a hexagonal structure three tangles like X, ‘Nzeppel and Tripoli. Then, I show a merge between W2 and Weben.

Tambié podemos ver aquí un azulejo en el que adapto en una estructura hexagonal tres tangles como X, ‘Nzeppel y Tripoli. Luego, os muestro una fusión entre W2 y Weben.

Tomàs Padrós image

I show you now a play with 3D-Room and Dex, a tangleation of Fleavy and an extreme tangleation of Weben, so far from the original tangle. I called it Lattice.

Ahora os muestro un divertimento entre 3D-Room y Dex, una tangleación de Fleavy y una tangleación extrema de Weben, ya muy lejos de su aspecto oroginal. La llamo Lattice.

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Weben tangleation 4

My passion for the beauty of each pattern leads me to a certain tendency for monotangle, so from time to time I return to the traditional strings that delineate spaces that fill with known tangles.

Mi pasión por la belleza de cada patrón me lleva a cierta tendencia al monotangle. Así que de vez en cuando vuelvo a las tradicionales cuerdas que determinan espacios que lleno con conocidos tangles.

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Also, sometimes I completely dispense with the strings and develop the drawing directly, step by step. In the first image, we see Dragoneye and Katerpy by Alena Light. In the second image I insert Katerpy and Bunzo-like shapes in a Fleavy tangleation.

También, a veces, me desentiendo de las cuerdas y desarrollo el dibujo de forma directa, paso a paso. En la primera imagen podemos ver Dragoneye y Katerpy de Alena Light. En la seguna imagen he insertado Katerpy y algo parecido a Bunzo en una tangleación de Fleavy.

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In this one, I draw what I call Cross Braided ribbons. Here combined with Tipple, Bedlines and Up and Across.

En este otro azulejo he dibujado lo que yo llammo Cross Braided Ribbons. Aquí combinadas con Tipple, Bedlines y Up and Across.

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But I guess one of the things I enjoy the most is designing or using my own patterns, such as already known Irradial, Membranart, Meshmerize or Chorus.

Pero una de las cosas con las que más disfruto es diseñando y usando mis propios patrones, tales como los ya conocidos Irradial, Membranart, Meshmerize o Chorus.

Dancing Zebras

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Finally, I show you more tiles to my taste, some with patterns of my own that are less known, such as Fontana (here merged with Maizie), Zenemone, Selfeat. Fringe 2 fringe, Vertebraid (with a Crescent moon touch), Buckled up! (here Hybridized with Vertebraid), ZigZagTrack, ZN-tangle or the fragments Mom’s clip, Bow-tie, and Neck-tie. These and some more appear with their steps in my Instagram account: @tomas-padros. I will also be uploading my drawings on Facebook. I have more patterns in reserve that I will show over time. See you!

Finalmente, os muestro más azulejos de mi gusto, algunos con mis propios patrones menos conocidos, como Fontana (Aquí fundido con Maizie), Zenemone, Selfeat, Fringe 2 fringe, Vertebraid (con un toque de Crescent Moon), Buckled up! (aquí Hibridado con Vertebraid), ZigZagTrack, ZN-tangle o los fragmentos Mom’s clip, Bow-tie y Neck-tie. Estos y otros más aparecen con sus pasos en mi cuenta de Insagram. @tomas_padros. También iré mostrando mis dibujos en Facebook. Tengo más patrones en la reserva que iré mostrando con el tiempo. Nos vemos!

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ZigZagTrack

Two new fragments

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It’s been great working with Tomàs. What an incredible, talented man! I am already a follower, and I decided to check out his brother Esteban’s Instagram account. He is also, amazingly gifted artistically. Follow Tomàs on Instagram @tomas-padros. (Esteban is @esteban-padros). If Tomàs accomplishes half as much in the next 6 months, we’ll be hearing from him for a long time in the future. Thank you so much, Tomás for sharing your life and art!

Artist Focus: Debra Huff

 

 

Welcome to thetirelesstangler.com! Home to some of the greatest abstract art you’ll see anywhere! (Oh and some of my art too! 😀) This week’s artist does not disapoint with her incredibly beautiful work! I think besides her art, what I love about Debra is that she struggles with the same insecurity as I about displaying her art. Once you’ve seen it, you will be amazed at this but it’s how most of us feel. Now imagine this blogger is bugging you for art and a bio and you’re really stressed! Thank you Debra, for sharing your beautiful art and story with us all. You inspire me. 

 

I’ve been a fan of Debra’s art for some time. She seems to hide in the background but when she posts, its always stunning. She has an innate ability that brings out the grace in patterns and finds organic ways to combine them that is, well, inspiring.

 

 

Debra Huff

 Here’s what Debra shared about herself, her art and the Zentangle ® Method.

“Hi, my name is Debra Huff. I can overcome my fear and call myself an artist. 

I stumbled on Zentangle about two years ago. I have an auto-immune disease that affects my lungs, heart and other systems. I had a sudden decline with my heart and felt a driving need to find something new I could learn and grow with as well as reduce stress while living with very limited activity. 

 

I came across an article in Psychology Today about meditative drawing called Zentangle. I googled the word and saw images that reminded me of childhood squiggle drawings that I would fill in with shapes and patterns. I read everything I could find online about Zentangle, bought a multi media journal and began drawing. 

 

I found Zentangle Facebook groups and challenges. I lurked trying the challenges and filling pages. It took a lot of courage for the first posting, but there was such a positive response I continued. 

 

 

The lessons, feedback and suggestions on Eni Oken’s Shading group spurred my growth and ignited my passion to learn more and more. 

 

 

 

The community/world connection was started with Stephanie Jennifer‘s Traveling Tangle Project. I couldn’t get enough of holding this beautiful start from someone halfway across the world, that was made just for me. 

 

Each group I am part of holds that special community. There is compassion, connection and love that fosters hope in the craziness of today’s world through the Zentangle meditative art.”

 

 

 

 

 

You can find and follow Debra on her Facebook page here.

 

I chose Debra this week for a couple of reasons. First, of course, her artwork is incredible. To know she’s been drawing for just 2 years means there may still be hope for myself and others who struggle with calling ourselves artists. The second reason is that she mirrors the struggle that I, and so many other new artists, have in trying to appreciate and share their own art and ideas. She is as supportive and compassionate to others as they are to her. After all, we all share this journey. Some are more successful than others, that’s true, but the real lessons and values found in the Zentangle® Method aren’t really about art at all. They’re different for each person, as we each gain something intensely personal from Zentangle®. As different as we all are, this shared journey is cherished by all of us. It’s what makes this community so special.

A few of the Zentangle groups Debra and I share are:

Eni Oken’s Art Club on Facebook (Art Club members) (enioken.com)

Tangle it! Pattern Club, Pattern-collections.com on Facebook 

Shading Zentangle and Beyond (Eni Oken) (those who follow Eni’s ebooks and lessons) enioken.com

Square One:  Purely Zentangle 

Zen and Zin Facebook group (DrShazia Azmi)

The Traveling Tangles Project (Stephanie Jennifer)